I like to create and perform music, and my latest album, Paroxysms of Indifference, is now available for free download on last.fm (just click the icon on the right). Paroxysms follows 'Elementary' with the Parisian “Baskervilles Blues Band” (1994) and the Johnson’s Jump (2004) piano improvisation compilation.
The tracks on Paroxysms were recorded between about 2005 (I think) and last week.
Here's a description:
Tripped Hop (electronic): Was supposed to be inspired by Massive Attack’s Trip Hop style but somehow strayed from the straight and narrow.
Three Jolly Boys (Traditional English folk, Acapella): Bit of fun about women and drink but delivered too straight laced (rather angelically).
Reverie in White, Black, Blue: Dreamy improvised piano with white, black and blue themes.
Okavango (electronic): The Okavango delta in Botswana every year undergoes a remarkable river swelling, bringing life with it. You can here the flooding river towards the end.
Light on a Faraway Shore (Orchestral): Inspired by a night-time sailing approach to Milford Haven when I was 13. The bell represents the light and you can hear the yacht lolling, rain arriving with an increased swell and yawing, then, as the rain stops, the boat continues to approach the shore slowly.
Lac du Plan Viannay (Improv Piano): A remote, high lake in the Parc des Ecrins.
Fion: (Acapella). Traditional Gaelic Song. Yes, I’m singing all the parts! (Duh!... no, not all at once)
Paroxysms of Indifference (electronic): Title refers to the critical acclaim this album is sure to generate. Towards the end gets a bit Stravinsky-esque with the dissonance.
Song of the Wandering Aengus: W.B Yeats’ poem about the Irish mythological figure, set to music. Only track with acoustic guitar in.
Recording details: All music and vocals for all tracks performed arranged mixed etc by JCS. All tracks also composed by JCS except for the traditional vocal numbers and ‘Aengus’ for which the lyrics were by Yeats and the melody by D. Leitch. Software: Cakewalk, Garage Band. Light on a Faraway Shore was written using Finale Print Music and was the programmed straight into the computer using a software synthesizer. It was thus only piece not ‘performed’ using a musical instrument. MIDI-free.
Instruments: Keyboard: Yamaha Motif, Guitar: Guild acoustic with rotten strings, Piano: Kawai Grand (bass A flat slightly out of tune).